Happy Sunday, folks! I know the price of climate disaster will be steep before too long, but I will savor for now the extra dose of warmth and vitamin D we’re getting here in the midwest. And thank you, of course, for checking out my musings here at radio K-SAT. In the event that you’re in NYC on 10/29, I’ll be giving a talk kitty-corner from the Empire State Building at 630pm on technology, music, and fandom. It should be a hootenany. (Tix are free, but a reservation is required.)
For the most part, I resist partisan pontifications on the blog, but with the frustration on the left and the right with the Tea Party extortionists, I think the time is right for a bit of humor at their expense. As fans of Elvis Costello know, the original working title for album #3 was *Emotional Fascism.*
“Fascism,” of course, refers to an authoritarian and nationalistic right-wing system of government, a social organization of the sort and, more generally, intolerant views or practice. While Costello and the Attractions were assembling Armed Forces, Mr. C.’s marriage was falling apart at the time and, under Thatcher, the thugs of the National Front were increasingly visible and violent. If charity begins at home, Mr. C. was party to little of it at home or in his homeland.
The Clash, Rock Against Racism concert, Victoria Park, 1978.
Following the bouncy, radio-friendly tunes of the first two LPs (“Radio, Radio” excepted, of course) , the sound turned darker and denser on *Armed Forces* and, for long stretches, served as the sonic analog to the paranoia and power grabs represented in the lyrics. It’s a sharp production effort by Nick Lowe, and a pop LP for the ages.
Here I follow Marx’s reminder from The 18th Brumaire of Louis Bonaparte: “Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.” Just *Armed Forces* helped shine light on the emotions and fascism and armed adventures of Thatcher’s England, is it possible it holds lessons about the American republic, in its current and dilapidated state? Is Representative Boehner the farcical re-presentation of the tragedy-inducing Margaret Thatcher? Ms. T. was considerably less prone to tears–and not because she was more “man” than Boehner. She simply believed with more conviction the things that came out of her mouth.
“Accidents Will Happen”
The second single from the album is, according to Costello, a “heartless apology and barely coded confession.” The farcical “Accidents” of the Tea Partiers include Representative Ellman’s position on taking her salary during the shutdown after voting to deny millions of Americans their paychecks:
“And it’s the damage that we do / and never know / it’s the words that we don’t say / that scare me so”
Is it possible? Could a few of the TPers actually be scared? I’m bloody terrified.