punk’s greatest night — april 23, 1976

Writers quibble over year-zero of punk: ’76, because that’s when things started rolling, or ’77, because that’s when key platters of vinyl by The Clash, the Pistols, Blondie, Television, and so many others hit the shops. The hardcore look back to Iggy and the Stooges, of course, or even Velvet Underground at Cafe Wha? way back when.

The night noted above, though, has got a decent claim to the most important weekend in punk history, in terms of guts, glory, and serendipity. On both sides of the Atlantic, the eponymous Ramones’ LP hit the shelves and, as Generation X’s Tony James noted, “The Ramones were the single most important group that changed punk rock.”

In London’s Nashville Room, The Sex Pistols opened for the 101’ers, and Mick Jones accompanied Bernie Rhodes to check out the 101’ers’ lead singer, Joe Strummer. 

On the other side of the Atlantic, the crowd at CBGB was treated to the debut documentary of the punk scene: The Blank Generation, by Ivan Kral, then with Patti Smith’s group, served as the opening act for Johnny Thunders’ The Heartbreakers, just before Richard Hell set out on his own with his band, the Voidoids. 

Kral’s film was a truly DIY affair, as you can see here. I do, of course, shine a bit more light in my book on one of the most important nights in the history of rocknroll. I’ll give the coda over to Richard Hell. Cheers!

Advertisements

Coda for “Hitsville, USA” — my talk this past week at the Rock Hall

Happy Sunday, folks! I want again to thank the four dozen or so of you who came out on Thursday for such a delightful event. Andy Leach and his crew know how to put on a good show, so an especial thanks to them.

For the last Sunday of January, I wanted to offer one more selection of one of the primary / secondary texts that made Stealing possible. As Stealing readers know, I also cite 4/23/76 as a key date in punk history, for the reasons noted below–and for the work of Ivan Kral and the key shows by The Heartbreakers at CBGB that weekend.

Jon Savage treats this incident quite smartly in England’s Dreaming, and here’s how Salewicz represents it in Redemption Song:

salewicz

And, of course, the clincher is that CBGB is hosting the a weekend premiere of Ivan Kral’s The Blank Generation, and what I have concluded are the last appearances of Richard Hell with Johnny Thunders’ Heartbreakers on that three night bill.

All right: back to the snow-shoveling then something in a glass warmly. Cheers!