DIY style, for the kids! The Clash, ’79

So contemporary Clash news is difficult to come by these days. It seems if you want to curb e-buzz about a “heritage act,” release the definitive box set. But lo! Mr. Mick Jones is bringing his rock’n’roll public library to the Venice Bienniale — nice!

Once again I’m mining chapters from my book to shine a bit more light on certain events given, well, if not short shrift, not all of the attention they deserve. (Stealing, too, got a nice bit of attention, taking home a silver IPPY Award this year, I’m happy to report.)

In terms of the library, I wonder if Mr. Jones’ impressive collection includes this homely beauty, from February 1979, when The Clash dared to take on counter-cultural oligopolist sf flyer ABill Graham in San Francisco. Graham was on the scene in SF with the SF Mime Troupe in the mid-1960s, and established himself as the promoter through the 80s, when anytime I bought a concert ticket “Bill Graham Presents” was getting a cut–but not every time, in 1979.

When The Clash made their American debut, at the Berkeley Community Theater on
February 7, Graham got his cut. The next night, though, at Theater 1839 — just a couple doors down from the Graham-controlled Fillmore — The Clash, Negative Trend, and The Zeros played a benefit show for New Youth Productions, who had a vision of an all-ages scene for the growing interest in punk. (The lettering for “Minors Welcome!” certainly heralded a typeface that rose to prominence in the US hardcore scene.)

I especially dig the fact that the promoters forgot (?) to identify The Clash by name, and made amends by inking the letters, Johnny Cash style, in black-on-black across their torsos. DIY indeed.

If you have any more information on this night, do be in touch. I figure Howie Klein (who introduced Paul Simonon and Epic’s Susan Blond in 1979) and his comrades have some fun memories of the event, or their role in helping pick the pocket of Bill Graham.

And … here’s a fun ska documentary narrated by the Bay Area’s own Tim Armstrong. Nice work, team.

Cheers!

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#Replacements on my mind // the once bashful Tommy Stinson

Happy Sunday, reading people. Twitter’s abuzz with the enthusiasm over last night’s show by The Replacements – their first in 23 years in their hometown of Minneapolis. (Check out this lovely review, by Andrea Swensson, and don’t miss the fabulous photos beneath by Nate Ryan/MPR– here’s a teaser.)

tommy

I picked up Tim based on a single review, and then converted dozens of friends to its virtues, with little proselytizing. In the summer of 1987, we drove through the valley heat into SF for their performance at Fillmore and, just before the end (spring 1990, I figure) at the campus gym at UC Santa Barbara. They were great, drunk, and ever-satisfying, and in the pic for Musician magazine, taken from the back of the stage, you can see my head just beyond Paul’s knee.

My favorite memory, though, of Mats live was at Slim’s in SF, when the Tommy-led Bash & Pop appeared in 1994 (or so). I figured the name “Bash & Pop” echoed the punk ethos of getting our noise on the radio. While their debut LP, Friday Night is Killing Me, was uneven, there were a handful of gems there, and how I wish I could find that damn CD. (Timmay, do you still have it?)

Upon taking the stage, though, I realized that echo was rather distant. Rather than the “I-don’t-give-a-toss” indifference Johnny Rotten perverted from Iggy Pop, T. Stinson entered the limelight as a frontman reluctantly: much more bashful than bashing, and we were old enough in mid-twenties to appreciate the desire for affection–“never disappointed by a show of hands,” in the words of Game Theory, and why should they be? “Never Aim to Please” was a song inspired by the past, but was fully reckoned with on stage. Fun times.

Holy cow, is that a non-punk fade-out at the cadence. Maturity, like death & taxes, is inevitable, to some degree.

I’m on the radio for the first time in six years Thursdays this fall, 1700-1800, EDT, @ http://www.wobc.org/, with my show, “The Spirit of ’77.” There’ll be some punk, and oodles of fun (and errors, I’m sure. Bear with me.) I’ll check @stealingclash this week if you have any requests. Have a fantastically rockin’ week!