post-punk gems, v. 38 — The Replacements’ “Black Diamond”

Thanks for taking a moment on post-punk gem day to check out my latest musings. Since folks found my claims about punk covers intriguing (thank you!), I’ll stick with this theme today, and to the twin cities, home of two of the key (post-) punk bands in the US–Husker Du and The Replacements.

I’ve spilled quite a bit of virtual ink on the ‘Mats before (see here, here, and here) and, in checking out their first few LPs, I thought I’d find a cover before “Black Diamond,” originally a Kiss tune, of course, on their 4th effort, *Let It Be.* But that’s not the case. These guys were dedicated to original compositions, even if their stage performance was anything but composed.

That gorgeous opening rhythm guitar, all echo-y and stark, then Paul’s vocals, and drummer Chris Mars sets the tempo and bam: that big guitar crunch from Bob Stinson. Oh, fun stuff, and it stands up well over time.

If The Replacements represented the shambly and shambolic side of DIY, Husker Du were the consummate professionals, with real aspirations to make good (and good money). Their cover of The Byrds’ classic “Eight Miles High” gets a good write-up in Michael Azerrad’s *This Band Could Be Your Life,* which is a key chronicle of the DIY punk spirit between American shores. If you haven’t had your coffee yet, you might want to wait to cue up this gorgeous bit of dissonance.

I’m really delighted that you stopped at my minor outpost here on the world wide web, and hope to see you again on Sunday. Enjoy the week!

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