#postpunk gems, v. 29 — Huang Chung — yes that Wang Chung

So it’s a stiff coffee, and good morning to you, as I gather a bit o’ momentum to get the day started.

In the late spring of 1980, I was living in the San Joaquin Valley, playing 2nd-string right field for my little league team, and listening to Cheap Trick and, well, not much more. With summer commencing, I had no idea who Joy Division or Ian Curtis was and, like most Americans, I wouldn’t learn about Huang Chung before 1984 and the incredibly, well, suggestive “Dance Hall Days.” (Not even Prince was sly enough to get such a narrative on the pop charts.)

And that was part of the beauty of pop back in the day. It wasn’t easy to gather the backstory on a whole host of bands, and they would emerge on MtV for 15 minutes (or more), and then seemingly fade away. Little did I know the Huang Chung — which translates as “yellow bell” in Mandarin — had other singles in their catalog.

The other rumor going ’round was that “Wang” was the sound of the downward strum of the guitar, and “chung” was the upward strum — with no fingers on the frets, of course. With “Isn’t It About Time We Were on TV?,” Huang Chung blends elements of The Police and Frank Zappa, and the band behind Jack Hues keeps it tight. Back in the day, Sounds imagines the track to be a “jazzy version of XTC.”

That third week of June was a big one for post-punk: “Love Will Tear Us Apart” starts climbing the charts at that point, and The Clash’s “Train in Vain,” backed with “Bank Robber” (nice double-A side!), makes its way into continental record shops. Stateside, Bad Brains releases their first single, “Pay to Cum” b/w “Stay Close to Me.” Good times, good times.

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